LANDON, LETITIA ELIZABETH A Literary Celebrity (c) By Polly Guerin

Although Letitia Elizabeth Landon, is relatively unknown today, the work of this beautiful, young English poetess and novelist of the late Georgian and early Victorian period is resurfacing with fascinated interest and feminist criticism has given critical interpretation of her work another perspective. She was born (1802-1838) into the lower middle class, only to become in her teenage years, a published poet, and eventually the most successful poet of her day. Her verse reveals a highly intelligent and emotional intensity. She wrote of passionate love at a time when women were conventionally restricted in their themes making her the favorite among the literary intelligentsia, known to her devoted readers as simply L.E.L. Her success as a young single woman carving out an independent career in the tough arena of literary London in the 1830’s recognizes her as a gentle woman determined to succeed beyond her dreams. Landon’s body of work is an impressive achievement but her mysteriously scandalous life and early death is once again being scrutinized. . THE SCANDAL OF LITERARY ENGLAND Landon’s writing observed today exerts a powerful fascination in the vividness and musicality of her distinctive voice. Her typical themes are about “Sorrow, Beauty, Love and Death.” The influential London periodical, the Literary Gazette began publishing her poetry at the age of seventeen. It is rumored that she had a long-term illicit affair with an older, married neighbor who is also the editor who published her first poem. The gossip mongers and letters circulated among London's social set about Landon and her lifestyle. When she escapes to the countryside every few years the rumors circulate: “Is it to bear his illegitimate children?” Rising above the tide of criticism she wrote movingly of romance and continued to partake in her high-spirited social life. LANDON’S PROLIFIC OEUVRE Landon’s voluminous publications are now again in print and renewed recognition of Landon’s impressive achievement may be due in part to the largess of the exhibit, "The World of Letitia Elizabeth Landon: A Literary Celebrity of the 1830s," which showcased at the Grolier Club in New York in 2011 with manuscripts, first editions, prints, photos and other materials, which illuminated the life and art of this outstanding British writer. Today Landon is attracting attention for her unbridled success as a poet and novelist. Her oeuvre was prolific. THE POETESS and NOVELIST In the eight years that followed the publication of Landon's first volume of verse in 1821, it and the eight collections that followed were extremely popular. Landon wrote reviews, articles, and stories for many London journals. In 1824 her volume of romantic narrative poems, "The Improvisatrice," became a major best seller. In 1831 Landon published her three-decker novel, "Romance and Reality," followed by successful historical novels, Francesca Carrara (1834), and Ethel Churchill (1837). Landon’s celebrity was widespread and her writings were translated into French, German, and Dutch, and distributed widely from Paris to St. Petersburg. She was no shrinking violet. Famous writers who counted among her admirers included Hawthorne, Whittier, Poe and many other prominent American authors. MARRIAGE AND MYSTERIOUS DEATH The subject of Landon’s romances is both mysterious and questionable. After the scandal of her teenage romance with a married man, her first editor, she later was engaged to one man or another, only to have those engagements broken by rumors. Why Landon finally chose to marry a man who would take her to far off Africa is yet another mystery. In 1838 Landon married George Maclean, a colonial official, possibly an abusive man, who sweeps her away to Cape Coast, West Africa (in present-day Ghana), where the lonely, often ailing, poetess is found with a vial of prussic acid in her hand, slumped against her bedroom door. Mysteriously dead at the age of 36, the question still remains. Is it by her own hand? Did she administer the elixir as a medicine, was it an accident? suicide? or was it murder? The answer is still pondered, but conjecture suggests that Landon was taking the prussic acid to soothe a stomach ailment.
Letitia Elizabeth Landon wrote movingly and delicately of ‘romance.’ Her vast body of work: poetry, her novels and her life are, once again, being scrutinized. Landon had much to say about life and love. In one of her famous quotes she says it all, “Delicious tears! The heart’s own dew.”

CONE, CLARIBEL and ETTA Art Connoisseurs (c) By Polly Guerin

Henri Matisse fondly called them “My two Baltimore ladies,” and for good reason as the patronage of Matisse by the Cone sisters was a paramount reason for his celebrity. As daughters of prosperous German-Jewish immigrants, the Cone sisters, Claribel and Etta, were supported in their connoisseur art quest by their family’s successful textile business, Cone Mills Corporation, a firm that became widely recognized for producing the fabrics for the fashion industry. The Cone sisters were well-educated and widely traveled independent modern women who were determined to succeed. They found in modern art an emblem of their own independence. Together the sisters amassed one of the finest collections of modern French art in the United States, discovering as they did Pablo Picasso an unknown at the time. Claribel and Etta had the foresight and generosity to envision their extraordinary array of art worlds in a public institution and bequeathed their collection of legendary masterpieces to the Baltimore Museum of Art.
THE GERTRUDE STEIN CONNECTION
With the financial means and important social connections the two wealthy, cultured Cone sisters became world travelers and art collectors. Always, impeccably dressed in ruffled collars and layered petticoats, they immersed themselves in the swirl of Parisian bohemian life and became enmeshed in the excitement of new art and ideas and fell in love with modern art. In Paris, Claribel and Etta spent time with the doyenne of the Parisian avant-garde, Gertrude Stein, and her brother Leo, who influenced their collection. In 1905, Etta went with Gertrude, another Baltimorean, by adoption, to the run-down studio of a young, unknown artist named Pablo Picasso and, on impulse, bought an etching. It was the first purchase of what turned out to be a vast, decades-long art shopping spree. By the time Etta bought her last Picasso 44 years later, she and her older sister, Claribel, had filled their Baltimore apartment with some 3,000 art objects, textiles and decorative arts, which they had acquired from their travels across Europe and expeditions to Africa and Asia. The Steins also introduced them to Henri Matisse at the Salon d’Automne. Tough decried by the critiques for his bright, vividly hued paintings, Etta was intrigued by Matisse’s work and made her first of many visits to the artist’s studio. Etta was close to the entire Matisse family and maintained an ongoing correspondence with the painter as well as his daughter Marguerite and his son Pierre, an art dealer in New York. Ever a devoted patron, she wrote to him, “Of course, I want to do everything I can to add to your father’s fame.” Throughout the years, however, the sisters became friends of both artists.
LEGENDARY MASTERPIECES
Claribel and Etta seem to have had an insatiable desire for shopping, browsing in Parisian lace and button shops, and going to opera, socializing with friends, and buying art at an astonishing rate. And they kept separate records. Legendary masterpieces included Matisse’s “Blue Nude” (1907), Gauguin’s “Woman with a Mango (1892) and Cezanne’s “Mount Sainte-Victoire Seen from the Bemus Quarry (circa 1897). Claribel acquired paintings by Pissarro, Sisley and Van Gogh; Etta purchased works by Degas, Rodin, both bought Cezanne, Renoir, and more than twenty works by Matisse. Most of the art collected are images of women including Matisse’s 1929 The Yellow Dress, which shows a woman centered in her own world, very much like the Cone sisters’ independent penchant. In his 1937 Purple Robe and Anemones, a woman in a purple dress sits in a room in a classic Matisse interior filled with patterned rugs, screens, flowery drapes and vases of flowers. The Cone sisters collected art because they loved it and lived in two adjoining apartments in Baltimore.
THE BALTIMORE LADIES
Claribel Cone (1864-1929) and Etta Cone (1870-1949) grew up in a large, close-knit German Jewish family of twelve children. Their father, Herman Cone (Kahn before he immigrated to America) owned a wholesale grocery business which afforded the family with a comfortable lifestyle. However, it was the investment of Herman’s two eldest sons, Moses and Ceasar, in the textile business, The Cone Mills Corporation that made the family wealthy. The brother’s support of their two unmarried sisters enabled Claribel and Etta to devote their lives to collecting masterpieces of modern art. Claribel pursued a medical degree, an unusual path in the late nineteenth century America. Etta was content to stay in her elder sister’s shadow, becoming the family caretaker and spending her time studying music, French and art. There were no early signs that the Cones would develop a taste for modern art but there interests in collection art, textiles and objects were eclectic.
Claribel and Etta Cone were wealthy socialites but they had Yankee spirit and were blessed with excess capital and the leisure pursuit to collect the finest collections of Modern Art in the United States. Considering their accomplishment, the amassing of the Cone Collection, is reason enough to admire two women determined to succeed, who sharpened and refined their collective eye and put Baltimore on the map.

DAY, DOROTHY Founder of the Catholic Worker Movement (c) By Polly Guerin

Throughout Dorothy Day’s life she searched for a purpose in life and found it in the social reform movement in the 1930s. Day worked closely with fellow activist Peter Maurin to establish the newspaper, The Catholic Worker Movement, a nonviolent pacifist movement that continues to combine direct aid for the poor and homeless with nonviolent action on their behalf. Even before she left university Dorothy Day (1897-1980) became a part of the pre-World War I American youth rebellion against the conventions of their parents. She and her friends wanted to create a new and freer society. Dorothy Day was a women determined to succeed counting among her achievements a career as an American journalist, a social activist and as a devout Catholic convert she advocated the Catholic economic theory of distribution.
ADRIFT IN JOURNALISM
The seeds of rebellion were planted early on. She worked for the successor journal to Masses, The Liberator, and a magazine that opposed American involvement in the European war. The post office rescinded the magazine’s mailing permit and five editors were charged with sedition. An activist at heart in 1917 Day went to prison for being one of 40 women in front of the White House protesting women’s exclusion from the electorate. Assigned to a rural workhouse, the women were roughly handled. Finally they were freed by presidential order. Working as a reporter for the New Orleans item in 1922-1923 she wrote and published a commercial successful, partly auto-biographical novel, The Eleventh Virgin (1924), which revealed the great tragedy of her life, an abortion, which resulted from a love affair with a journalist.
A COMMON-LAW MARRIAGE
With the money garnered from the success of the novel Day moved back to New York and using the money from the sale of the movie rights for the novel she bought a beach cottage on Staten Island. She resumed contact with the city’s intellectuals and wrote occasionally pieces for the new Masses. At the same time (1924) she began a four-year common-law marriage with Forster Batterham, an English botanist she had met through friends. There’s was a short-lived alliance. Primarily because they shared conflicting views on life. Batterham was an anarchist opposed to marriage and religion. In a world of such cruelty, he found it impossible to believe in a God. Day’s belief in God, on the other hand, was unshakable. “How can there be no God, “she asked, “when there are all these beautiful things?”
SWEPT INTO ACTION
Her pregnancy with Batterham created a split with her common-law husband, who did not believe it wise to bring a child into this troubled world. On March 3, 1927, Tamar Teresa Day was born and Day quickly had her baptized in the Catholic Church resulting in a permanent break with Batterham. She eventually moved to Mexico City, where Day and her daughter lived on the edge of poverty. The same summer she returned to the United States on the onset of the Great Depression which swept her into the movement for social reform. It was at this time that she met Peter Maurin, a former French Christian Brother and social agitator, who convinced Day that that radical social reform and the Roman Catholic Church could be united.
BIRTH OF THE CATHOLIC WORKER
Surrounded by people in need and attracting volunteers Day’s apartment was the first location of the Catholic Worker and the seed of many houses of hospitality for the homeless to come. During the Great Depression, when no government services existed the Catholic Worker became a national movement and by 1936 thirty-three hospitality houses, havens for the houses spread across the country. For the next 50 years the Catholic Worker Movement was at the forefront of all Catholic reform efforts. In 1965 many Catholic Workers went to prison for refusing to cooperate with conscription, others took part in protests and many went to prison for civil disobedience. Day herself was jailed in 1973 for taking part in a banned picket line to support of farm workers. She was 73.
DOROTHY DAY LIVED LONG ENOUGH TO SEE HER ACHIEVEMENTS HONORED. IN 1967, SHE WAS RECEIVED BY POPE PAUL VI AND NOTRE DAM UNIVERSITY PRESENTED HER WITH ITS ‘LAETARE MEDAL,’ THANKING HER FOR COMFORTING THE AFFLICTED. MOTHER TERESA OF CALCUTTA VISITED HER AS DID MANY OTHER DIGNITARIES. DAY FOUND HERSELF REGARDED BY MANY AS A SAINT BUT SHE DECLARED, “If I have achieved anything in my live, it is because I have not been embarrassed to talk about God.” In 2000 the Vatican began the process of considering Dorothy Day for sainthood.

RAND, AYN of Atlas Shrugged Fame (c) By Polly Guerin

The firs time I saw the movie Fountainhead, a modern epic of gigantic proportions both by content and visual presentation, I was captivated by the story of the romantic and philosophical story of an uncompromising young architect named Howard Roark. This was the kind of hero whose depiction was the chief goal of Ayn Rand’s writing: the ideal man and his struggle against “second handers”-- those who attempt to live through others, placing others above self. The book itself, which Rand wrote over a period of seven years, was rejected by twelve publishers before finally being accepted by Bobbs-Merrill Company. But it became a worldwide success and in 1943 Rand sold the rights for the film version to Warner Brothers. Ayn Rand, a woman determined to succeed; a woman who today is called to the fore of public attention with the release of the movie, Atlas Shrugged is resurrected, so to speak, into the public consciousness.
TWO FAMOUS NOVELS
Two famous best-selling novels define the Russian-American novelist, philosopher, playwright and screen writer. The Fountainhead gained for its author lasting recognition as a champion of individualism. Atlas Shrugged, published in 1957, was her greatest achievement and her magnum opus. The plot of Atlas Shrugged involves a dystopian United States in which the most creative industrialists, scientists and artists go on strike and retreat to a mountain hideaway where they build an independent free economy. With this fictional strike Rand intended to illustrate that without the efforts of the rational and productive, the economy would collapse and fall apart. In it John Galt the novel’s hero delivers a lengthy monologue containing Rand’s most extensive statement of Objectivism. The publication of this novel of more than one thousand pages ended her career as a novelist and began her role as a popular philosopher.
THE PHILOSOPHER EMERGES
Rand is also recognized for developing a philosophical system she called Objectivism, which she characterized as “a philosophy for living on earth.” Her philosophy of living on earth has changed the lives of thousands of readers and launched a philosophic movement with growing impact on American culture. In 1958 Nathaniel Branden established the Nathaniel Branden Lectures, later incorporated as (NBI) Nathaniel Branden Institute, to promoted Rand’s philosophy Rand expressed opinions on a wide range of topics including music, literature, sexuality and some of her followers mimicked all her preferences, wearing clothes to match the characters from her novels. Some describing NBI or the entire Objectivist movement as a cult or religion.
BORN TO MAKE HER MARK
Ayn Rand, Alisa Zinov’yevna Rosenbaum was born on February 2, 1905 in St. Petersburg, Russian Empire. During her formative years she was educated in Russia and was eyewitness to both the Kerensky Revolution, which she supported, and in 1917 the Bolshevik Revolution which she denounced from the outset. In late 1925 she obtained permission to leave Soviet Russia for a visit to relatives in the United States and arrived in New York in 1926 and did not return to Russia. She worked as a screenwriter in Hollywood and sold her first screenplay, “Red Pawn,” to Universal Pictures in 1932 and saw her first stage play, Night of January 16th, produced in Hollywood and then on Broadway. We Are Living, her first novel, was based on her years under Soviet Tyranny. She died on March 6, 1982 (aged 77) in New York City.
RAND’S POLITICAL VIEWS EMPHASIZED INDIVIDUAL RIGHTS, INCLUDING PROPERTY RIGHTS AND LAISSEZ-FAIRE CAPITALISM ENFORCED BY A CONSTITUTIONALLY LIMITED GOVERNMENT. HER VIEWS REFLECTED IN BOTH HER FICTION AND NONFICTION WORK. THE NEW FILM, ATLAS SHRUGGED I IS CURRENTLY PLAYING IN New York MOVIE THEATERS.

ARDEN, ELIZABETH Cosmetic Empire Visionary (c) By Polly Guerin

An invitation to Elizabeth Arden’s Red Door on New York’s Fifth Avenue was my introduction to the pampered world of a luxurious spa and cosmetic beauty regime. The chic Red Door saleswomen or the ‘Ladies’ as some women called them, were immaculately dressed in black sheath dresses, their hair impeccably coiffured and makeup so precise that their personae made it clear that beauty could be obtained for a price. Elizabeth Arden’s brand name was synonymous with a woman determined to succeed, a woman who built a cosmetics empire in the United States that at the peak of her career, she was one of the wealthiest women in the world. FAME IN A NAME Arden was destined for remarkable destiny. Her middle name ‘Florence Nightingale’ was popular choice at the time, honoring as it did the renowned Florence Nightingale of nursing fame. Florence was born on December 31, 1884 in Woodbridge, Ontario, Canada and was named Florence Nightingale Graham. This name may very well have influenced her career choice as she took up nursing at a school in Toronto but later dropped out. Spreading her wings and looking for a new path she ventured to the United States and joined her brother in New York City where she worked briefly for the E. R. Squibb Pharmaceuticals Company; spending hours in the lab she began to learn about skincare. The steps leading to her life as a cosmetic tycoon had its fledgling beginning as a ‘treatment girl’ working for Eleanor Adair, an early beauty culturist.

BECOMING ARDEN Learning as she did along the way through association with other culturists, in 1909 Florence partnership with Elizabeth Hubbard, and when the partnership dissolved, she coined the business name from her former partner’s first name and from Tennyson’s poem “Enoch Arden,” and so Elizabeth Arden was born. Arden presented herself to the business and social society as an elegant woman, meticulous dressed and always a ‘Lady.’ She traveled to France to the Mecca of beauty intelligentsia and returned with a collection of rouges and tinted powders she had created. In an era when it was generally only acceptable for entertainers to wear makeup the forward thinking Arden introduced the concept of the “makeover to American women in her salons. A SCIENTIFIC APPROACH Arden’s early lab experience no doubt greatly influenced her scientific approach to her cosmetic formulas. Case in point. Arden collaborated with A. Fabian Swanson, a chemist, to create a “fluffy” face cream called, Venetian Cream Amoretta, and the corresponding lotion, Arden Skin Tonic. “Total Look” was another innovation in which she advocated matching lip, cheek and nail polish colors; coordinated thus this marketing concept meant that a woman would make a three part sale. Another ‘first,’ as there were many, included the fact that Arden was the first to make cosmetics commercials shown in movie houses. Always in step with changing times during WWII the Arden Salon showed women entering the work force how to apply makeup and dress properly for careers outside the home. With her acute awareness of women in the armed forces she created a lipstick called Montezuma Red that would match the red in their uniforms. WORLDWIDE EXPANSION The Elizabeth Arden brand had escalated into a formidable empire which began expanding internationally in 1915, when Arden opened salons across the world all of which she launched personally. By the 1930s through the 1960’s Elizabeth Arden was considered the most upscale cosmetic brand and acquired celebrated patrons from queens to movie stars and president’s wives. IN FULL GALLOP Wealth and prestige heaped upon her empire Arden indulged in her favorite pastime and used the name Maine Chance Farm for her thoroughbred horse racing and breeding operation in Lexington, Kentucky. The association with the blue grass Kentucky land may well have inspired the introduction of the perfume, Blue Grass in 1934, which was a great success. Considered the first all-American scent, it remains on the market today. By the 1940s her stable became a major force in American Thoroughbred horse racing. Among her winners in 1947 her colt Jet Pilot, trained and ridden by future hall of Famers Tom Smith and Eric Guerin won the Kentucky Derby. Other fillies followed and for her contribution to the racing industry, Elizabeth Arden Graham was posthumously inducted into the Canadian Horse Racing Hall of Fame in 2003. ELIZABETH ARDEN’S LEGACY Elizabeth Arden’s cosmetics company continues to trade today, and was bought by IFF International Flavors and Fragrances in 2003. The company continues its collection of coordinated make-up sets, as well as an extensive line of skin care products and treatments. The focus today, however, is on a number of fragrance lines including the company’s signature fragrance called, “Red Door” named after the day spas which were called “Elizabeth Arden Red Door Salons.” Elizabeth Arden lived a rich and rewarding life dying at 81 years old on October 18, 1966 and is buried in Sleepy Hallow Cemetery under the name Elizabeth N. Graham. Sadly towards the end of her life, Arden did not prepare the company for her passing and as a result, her company and private estate was heavily taxed after her death. Her stable was sold and her family had to auction off many of her personal assets. Fortunately, Elizabeth Arden's famed Red Door is still open to women today.

BEACH, Amy Marcy Cheney Foremost Female Composer (c) By Polly Guerin

There are children who come into the world with a talent so extraordinary at such an early age that they are recognized as a child prodigy. Such is the amazing case of Amy Marcy Cheney, the American composer and pianist, who was immensely talented and largely self-taught. Imagine the wonder of it all. She was able to sing forty tunes accurately by age one and by age two she could improvise a countermelody to any melody her mother sang. As young as she was the seeds of determination to succeed took shape and later in life she developed a significant performing career. She taught herself to read at age three, began composing simple waltzes at the age of four and performed publicly at age seven. Many talented prodigies fizzle out when they mature but not Amy Marcy Cheney. She became the first successful American female composer of large-scale art music and composed copiously throughout her life. Amy March Cheney (Amy Beach) remains one of the foremost female composers of her time. THE FLEDGLING ARTIST Amy was born in Henniker, New Hampshire September 5, 1867 into a distinguished New England family that nurtured the precocious child’s talent. She began formal piano lessons with her mother at the age of six, and a year later started giving public recitals, playing works by Handel, Beethoven, Chopin and her own pieces. Inspired by Henry Wadsworth Longfellow’s poem,”The Rainy Day,” the young composer at thirteen wrote her first published song. She was immensely talented and largely self-taught and during her lifetime she composed over 100 songs including the Three Browning Songs, OP. 44. In particular the delightful song “The Year’s at the Spring” proved enduringly popular. FORMAL STUDIES With such a precocious child further musical training was paramount to her development. In 1875, Amy’s family moved to Boston, where they were advised to enter her into a European conservatory. Because her parents could not afford to send her abroad she received local training in Boston, but was primarily self-taught learning orchestration from a treatise by Berlioz and counterpoint by writing out figures from Bach’s Well-Tempered Clavier. Prepared as she was beyond her years, in 1883, at age sixteen, she made her professional debut as a pianist. Later she became a soloist with the Boston Sympathy Orchestra. BECOMING MRS. H.H.A.BEACH At eighteen, Amy could almost certainly have made a brilliant career merely as a concert pianist, but she married Dr. Henry Harris Aubrey Beach, a prominent Boston physician who was 25 years her senior and from then on most of her compositions and performances, were under the name Mrs. H.H.A. Beach. Much to his credit and influence he encouraged her to limit public appearances and concentrate instead on composition (she later returned to the platform following his death in 1910). Her first major success was the mass in E-flat major, which was performed by the Handel and Haydn Society in 1892. Finding inspiration in Romanticism and the European folk music tradition of her New England ancestors, she composed copiously including Gaelic Symphony in E Minor, OP. 32 in which she turned to the Celtic folk tradition which incorporates Irish melodies. It was the first symphony by an American composer to gather significant attention in Europe. Beach composed the Jubilate for the Women’s Building at the World’s Columbian Exhibition, held in Chicago in 1893. AN INDEPENDENT WOMAN After Dr. Beach’s death Mrs. Beach resumed her career as a performer, changed her professional name to Amy Beach and embarked on a three year tour of Europe. She returned to the United States in 1914 later moved to New York which she became the virtual composer-in-residence at St. Bartholomew’s Episcopal Church. She wrote most of her later works while visiting the MacDowell Colony in Peterborough, New Hampshire including her two famous piano pieces, “The Hermit Thrush at Eve and “The Hermit Thrust at Morning.” When she died of heart failure in 1944, she left the rights to her music to the MacDowell Colony. Amy Beach’s output was prolific and covered all the major genres. Piano Concerto, OP. 45, for example, is a large-scale bravura masterpiece in the manner of contemporary late-Romantic concertos. Three of the four movements are based on material from Beach’s own songs. Amy Beach used her status as the pre-eminent American woman composer to further the careers of young musicians, serving as leader of several organizations, including the Society of American Women Composers as its first president. In Boston her name was added to the famous Hatch Shell and is the only woman composer on that granite wall. She received numerous honors and was inducted into the American Classical Music Hall of Fame and Museum in Cincinnati, Ohio on April 24, 1999.

HOLT, Winifred and Edith, LIGHTING THE WAY (c) by Polly Guerin

When you are the daughters of the renowned publisher, Henry Holt, the Misses Winifred and Edith Holt might just as well have carried on as any proper heiress was expected to and lead a life of social pleasure. However, the Holt sisters were of that fine breed of American women that break down barriers and forge ahead as women determined to succeed in making the world a better place for people without sight. In the 1900s the problem of helping the blind in New York City was long in waiting for an intelligent solution but no program had been established. The pioneering Holt sisters, however, take their rightful place as the founders who facilitated that solution. Their humble goal became the Lighthouse International, an organization recognized for its pioneering work in vision, rehabilitation services, education, research and advocacy which enabled people of all ages who are blind or partially sighted to lead independent and productive lives.
A SERENDIPITOUS EVENT
The custom of the day for taking the ‘grand tour’ was on the Holt sisters’ agenda. During a concert in Florence, Italy, Winifred noticed a group of blind school children in the audience who were evidently enthralled with the music. Intrigued by their participation she investigated further and discovered that a free ticket program enabled the children to attend the concert. Inspired by such a simple solution to bring pleasure to blind individuals when the Holt sister returned home they established the Lighthouse Free Ticket Bureau in 1903. Their single thought was that like the Florence ticket service they might relieve the somber lives of the blind by procuring tickets from entertainment managers or their own friend’s tickets for concerts and operas and theaters. The ticket service went on for some time, but the sisters also became increasingly aware of the world of adults who were blind and their greater purpose that was unfolding.
FOUNDING THE FIRST LIGHTHOUSE
The Holt sisters pooled their resources and borrowed $400 from their dress allowances, which was a considerable sum at the time. The visionary sisters personally gave over their family brownstone at 44 East 78th to the work for the blind, installing clerks, stenographers, and other helpers for the larger work in their hands for all those in need. Their home became a hub of workers engaged in advancing the interests and education of the blind in many ways. In order to facilitate the program of training and educating the blind the sisters themselves studied the blind alphabet with blindfolded eyes in order to understand the difficulties of learning the various demands on blind persons to perform tasks. The blind men and women were given work to do and how to do it. Women were trained to create handcraft items. If a seamstress had lost her sight she was shown how to thread a needle and how to use a studded tape. The blind showed a remarkable ability with the typewriter and other pursuits, for which they are trained before they are gainfully employed. A workshop for blind men was established at 147 E. 42nd Street, where chairs were caned and brooms were made for house and factory use and other marketable items.
LEGISLATION AT LAST
The Lighthouse organized the first census of people who were blind in New York State resulting in the astonishing number totaling nearly 10,000 cases. Furthering the sisters’ research, after many efforts, in 1904 a legislative commission was formed to investigate the conditions of the blind in New York State and an appropriation of $5,000 was secured from the State for the collecting of all the data concerning the blind. Miss Edith Holt was appointed chief to head up the commission for gathering this important information. Winifred Holt also participated in founding the New York State Commission for the Blind and Visually Handicapped.
THE LIGHTHOUSE INCORPORATES
From this early seed, in 1906 the Lighthouse was officially incorporated as The New York Association for the Blind, Inc. Home teaching and instruction began, marking the first community-based direct service—the forerunner of today’s professional vision rehabilitation services. It was a fortuitous beginning and many programs were staffed by teachers who were blind. In 1907 Winifred Holt personally traveled to Albany to draft a bill making the use of a medical measure at birth mandatory to prevent “ophthalmia neonatorum.” She also established the first lay committee to address blindness prevention. In 1988 The Lighthouse Inc. became the Lighthouse International, in recognition of its global reach---and outreach---on behalf of 180 million people who are visually impaired worldwide.
THE HOLT SISTERS LEAVE A LEGACY OF PHILANTHROPY THROUGH ACTION AND PERSEVERANCE. FOLLOWING IN THEIR LEAD THE LIGHTHOUSE TODAY CONTINUES TO OFFER NEW AND INNOVATIVE WAYS TO HELP PEOPLE OVERCOME THE CHALLENGES OF VISION LOSS AND TO LEAD PRODUCTIVE, ACTIVE AND INDEPENDENT LIVES.

Visit http://www.lighthouse.org/abouthistory/ Learn more about The Lighthouse.