CABRERA,GLORIA Cosmetologist the Natural Way(c) By Polly Guerin

Making clients beautiful has been the livelong ambition of Gloria Cabrera, a cosmetologist for over thirty years. A petite Philippine native, Gloria, honed her skills and after owning a successful salon in the Philippines, she had the serendipitous opportunity to come to New York City, where she was able to fulfill her dream of being a salon and spa owner. She is a woman determined to succeed and has plied her trade “A Natural Way of Beauty,” for over 30 years in the Gramercy Park area of New York City. Gloria is a success story that should serve as inspiration of other women who immigrate to the United States and wish to be business owners. Gloria did it through perseverance and the kind of hands-on ownership that makes customer service a very personal way of doing business.
SCIENCE AND NATURAL INGREDIENTS With the combination of science and natural Asian ingredients from herbs, plants, grains and flower oils, Gloria created a skin care line that revitalizes and helps the skin’s true beauty. Gloria says, “These ingredients not only improve the glow and texture of the skin, but also protects it from environmental damage and aging.” Now that’s the right approach to skin care. Clients who have used the Gloria Cabrera Whitening and Anti-Aging Facials and skincare products attest to their effectiveness, which have shown results in a week, leaving skin fresh and radiant. Most interesting to women with dark spots Gloria’s products lighten those spots and evens skin tone, and helps to reduce fine lines and wrinkles.
 FACIAL CLEANSERS I’ve always envied women who have that special glow and wondered how they maintained such a youthful appearance. This is a special concern of New York City women who are always trying to find ways to keep their skin clean and beautiful. For one thing, Gloria Cabrera products wash away all the debris, excess oil and free radicals that age the skin, and those natural ingredients help restore skin leaving it fresh and glowing. The Herbal Cleanser & Toner, for example, is made with natural ingredients, including rose petals and lavender buds, and smells just divine! It is designed to cleanse, tone, unclog pores and help prevent fine lines, leaving skin fresh and glowing. The organic Face Mask is another yummy mixture containing Almond Extract, lavender, Rose Power and Clay. You get the point, it’s beauty the natural way. FACE MOISTURIZERS/FIRMING CREAM Living in New York City puts a lot of stress on a woman’s face, and that why moisturizers are such an important part of a daily beauty routine. Why? Because moisturizers hydrate, restore and refresh dull skin, while protecting from sun and environmental pollution. No need for a facelift, try results the natural way. The Neroli Firming Cream in this product range is infused with hydrating mixture of neroli, lavender and other essential oils which help to eliminate fine lines, minimizes pores and most important, it leaves the skin firmer, smoother and glowing.
I HATE MY NECK, TOO!! What could be more delicious than a Ginger Rice Body Exfoliant? This combination of natural herbs and Himalayan salt creates a perfect blend that polishes away dry, dead skin and leaves the surface smooth and radiant. You remember the book “I Hate My Neck,” by the late Nora Ephron…well, I do, too, but Gloria suggests her non surgical anti-aging neck serum, a special blend of essential oils that helps prevent wrinkles, loss of skin elasticity and double chin, while preserving skin moisture for firm, smith skin. Need I say more? Visit Gloria Cabrera at 309 East 23rd St, NYC 212.689.6815. www.gloriacabrerany.com.

DOLLS: MADAME ALEXANDER, The First Lady of Dolls (c) By Polly Guerin

The great French chanteuse, Maurice Chevalier used to sing, “Thank goodness for little girls” and thank goodness it is for the dolls that little girls play with from the iconic Alexander Doll Company, Inc. The world famous Madame Alexander Doll has reinvented itself under new management by the firm, Kahn Lucas, a manufacturer of girl’s dresses and matching dresses for dolls. The acquisition is a perfect fit. Kahn Lucas recently purchased Alexander Doll Company from The Kaizen Breakthrough Partnership private equity firm managed b the Gefinor banking group and is not a newcomer to Alexander Doll. For the past four years Kahn Lucas has been a licensing partner with Alexander Doll under Kahn Lucas’ Dollie & Me brand of matching girl and doll apparel the fashion accessories. There are two setups at FAO Schwarz store in New York, the Madame Alexander Doll factory where girls can create their own dolls, and the Newborn Nursery, where girls learn about babies in nurseries as preparation for when they have siblings.
THE LATE BEATRICE ALEXANDER BEHRMAN While Madame Alexander was a doll maker of rare imagination, the series of dolls inspired by the pages of her beloved childhood storybooks live on for the young-at-heart everywhere. Alexander Doll Company, founded in 1923 is nearly 100 years old yet it continues the tradition of ‘hand-crafted quality workmanship, made in America’ dolls. Madame Alexander was a visionary, a woman determined to succeed. She started making dolls on her kitchen table in Brooklyn when she was 28 and firmly believed that dolls should engage a child’s imagination, educate and expand their vision of the world. Over the years dolls were inspired by fairy tales, movies and celebrities. The Secret Garden trunk and its wardrobe, the Little Princess, Little Women, Cinderella, the Anne of Green Gables series, the Scarlett O’Hara, Gone with the Wind series all attest to the legend of hand-crafted excellence. Madame Alexander was the day star who managed the company until 1986, continuing on as a design consultant until her death at 95 in 1990. Pictured above: Madame Beatrice Alexander examining the Queen Elizabeth II doll from the Coronation set.
MADAME ALEXANDER DOLL FIRSTS A master innovator, Madame Alexander’s original outpouring was prolific. In 1940 Jeannie Walker, one of the first walking dolls, made her debut as did the first dolls with life-like sleep eyes, that open and close. Production of the Sonja Henie (Olympic Skating star) doll also began at this time. High fashion was on her mind when in 1955 she introduced the first full-figured fashion doll called Cissy who wore designer fashions. Honors poured in and in the 1960s she was honored on United Nations Day for her international series of dolls. The same year the Smithsonian Institute selected two of Madame Alexander’s creations to include in its doll collection: the Madame doll from the American Revolution series and the Scarlett O’Hara doll. Film tie-ins include the 1970s production of large Sound of Music dolls with the release of the film. The First Lady of Dolls received FAO Schwartz’s Lifetime Achievement Award in 1986. Always on top of the news, in 1990 the Welcome Home series of dolls commemorating those who served in Operation Desert Storm were put on the market.
THE KAHN LUCAS STORY This privately held, fourth-generation family firm, has an even longer history than Alexander Doll. Based in Lancaster, Pennsylvania it was founded in 1889. The firm manufactured fashion for sizes, newborn to 16, carried nationwide at stores including J.C. Penney, Sears, and Toys “R” and Wall-Mart. The acquisition of Alexander Doll places Kahn Lucas at the top of its genre competing to a degree with the American Girl, a division of Mattel. The manufacturing headquarters of Alexander Doll is located in the heart of Harlem, New York at 615 W. 131st St, New York, N.Y. with showrooms at 200 Fifth Avenue, New York, N.Y.
The Madame Alexander Fan Club was started in 1960s by Margaret Wilson. It was based in Texas and sponsored an annual convention. Of its 12,000 or more female members 40 percent are curiously male.

THANK GOODNESS FOR LITTLE GIRLS AND THANK GOODNESS FOR MADAME ALEXANDER, THE FIRST LADY OF DOLLS, WHOSE DOLL CREATIONS INSPIRED THE EMOTIONAL INTELLIGENCE OF ALL GIRLS YOUNG AT HEART.

QUEEN LIZZIE, FASHION ICON (c) By Polly Guerin

Pardon me, but did I say Queen Lizzie? I say that with the utmost of esteem for the grand lady of England, because she seems to be the kind of woman everyone can relate to and has come full circle as the Queen mum. It was in the 1953 Order of Coronation that England’s newly crowned ruler was referred to as Queen Elizabeth, Your Undoubted Queen,” but she emerged on the international scene as one of the most determine women in her lifelong performance as Queen. One can stand back in awe and admire her style and how she has fulfilled her role of service with honor and dignity. Those traits service, honor and dignity need to be brought strongly back into the collective consciousness of world leaders, corporate executives and parents today. We can thank Queen Lizzie for carrying the torch of correct behavior throughout her long life.
DRESSING WITH DIGNITY Valerie Steele, director of the Museum at the Fashion Institute of Technology, relates, “Her style is a clear portrayal of upper-class distaste for novelty and gimmick, a resistance to foreign ideas, and a reassuring matronly solidity.” Her clothes are designed for specific functionality and remember the queen mainly works standing up for hours on end with nary a complaint. You rarely see her sitting down, she is usually photographed at full length, and as petite as she is, is required to stand out in a crowd. How does she do it?
A MEGAWATT SMILE Keeping up appearances is a challenge for the 86-year-old monarch with the white set curls and megawatt smile, but like a performer, she never disappoints. Even when her family behaved badly and public opinion for the monarchy hit a low, the Queen, was steadfast and dignified in the stewardship of her family and kingdom, and remained stable and determined dealing with circumstances with a calm hand. Charged with illuminating the dullest of ribbon-cutting the Queen has evolved with a flair for making an entrance in head-to-toe color or print-coordinated ensembles: shoes, gloves, matching hat and that classic handbag, that say, Queen” every inch of the design.
INSIDER DESIGN INFO So why doesn’t her skirt rise up at the flutter of a windy breeze? Clever solution: They’re anchored down and weighted, something any executive or woman in politics should consider doing for her next outdoor appearance. To accommodate that jubilant hand wave, the armholes of her coats and jackets are cut generously. Always conscious of what to wear on a specific occasion, for foreign travel, a staff of researchers will scout out the country’s national symbols and cultural significance and what color is verboten in that place. Good advice for anyone making personal appearances on the cultural or business stage of life.
HAIL to the QUEEN Flash-forward 60 years (2012) and the nation marked the Queen’s Diamond Jubilee, making her the second-longest-serving monarch after Queen Victoria. At home in the private confines of her friends and family she loves to dress up with penchant sparkling jewels and enjoys horse racing, homeopathic remedies, keeps several corgis in tow and wears silk Hermes head scarves. She’s able bodied and a true thespian, playing out her role as “Elizabeth the Dignified,” but to us fashionistas she’s still our darling Queen Lizzie.
Throughout her six-decade reign, Queen Elizabeth weathered the likes of family tragedy, scandal and mishaps and much more behind the scenes than can be imagined, the likes of which are so similar to the misadventure of many average families. Yet the Queen has set the hallmark for Queenly behavior and motherhood, remaining as rock solid and as steadfast as Mount Everest throughout it all. Hail to the Queen, the woman determined to succeed, the truest royal that ever graced our century.

APFEL IRIS, 91 YEAR OLD FASHION ICON (c) By Polly Guerin

It’s not her signature owl-shaped glasses that adorn her venerable face that gets your attention and it’s not her mix of haute couture with hippie trimmings that makes you gawk in admiration. No, it really isn’t any of these adornments that attract you to her. It’s the sheer magnetism of her personality, her drive and her unending creativity that makes her a legend in her own time, a woman so determined to succeed that she is the subject of a string of museum exhibitions, a coffee table book and even a fashion advertising campaign. This geriatric starlet’s charisma, a blend of her iconoclastic style, youthful passion, energy, drive, ambition and determination are the right kind of ingredients to inspire a new generation of designers or anyone, for that matter, who wants to be judged as an innovator.                      
POLLY MEETS MS. APFEL It was in 2005 and the Metropolitan Museum of Art in New York City premiered an exhibition about Apfel titled, “Rara Avis (Rare Bird) and indeed, I was delighted to meet this rare bird and overwhelmed by the sheer magic of the collection on view---a hodge podge of the most imaginative way of dressing from Apfel’s collection of clothes, accessories and furnishings, which she had acquired during her travels. Her collection reflects pieces that commemorate high points in her life and is lavishly documented by photographer Eric Boman in “Rare Bird of Fashion: The Irreverent Iris Apfel.
UNSTOPPABLE FASHION ICON Apfel readily admits that she is not a designer but a good stylist and that is perfectly clear as her imagination takes flight with the artful clash of textures, furs, buttons and bones, and assorted trappings hurled into a fashion message of individualistic charm which she carries off with panache. Not everyone could do that, but Apfel’s somewhat Bohemian style is chic and savvy. Her philosophy is “When you don’t dress like everyone else, you don’t have to think like everyone else.”
BECOMING IRIS APFEL Who would have ever suspected that Iris Barrel born in Astoria Queens, August 29, 1921, would become the darling of the fashion and art world. Sadye, her Russian-born mother owned a fashion boutique and perhaps Apfel acquired her passion for fashion there. Her dad Samuel Barrel’s family owned a glass-and-mirror business. Did she stand in front of one of them on day reciting, “Mirror, mirror on the wall what is in store for Iris??” Preparing for her passion for art and fashion she studied art history at New York University and attended art school at the University of Wisconsin and at one time she worked for Women’s Wear Daily, where I had honed my skills as a writer. Alas our paths never met. Her tenure at WWD was way before I arrived but she had left her mark and was not forgotten.
TRAVELING WITH CARL In 1948, she married Carl Apfel and two years later they launched the textile firm, Old World Weavers and ran it until they retired in 1992, all the while traveling to exotic places where Iris found treasures that she would interpret into her own design. However, Apfel was not the retiring kind of dame. Off she went taking part in several design restoration projects including work at the White House. Now she is peddling her own designs on the Home Shopping Network and finds time to work on numerous charity benefits. And, get this my dears; she is a model for MAC Cosmetics.
You go get ‘em Apfel! This country needs more high spirited women like you to remind us how to have fun and turn the ordinary into something marvelous when you’re young and ninety.

COLEMAN, ELIZABETH 'BESSIE,' PIONEER AVIATOR (c)

At a time when no woman, particularly an African-American woman would have dreamed of becoming a pilot, on June 15, 1921 Elizabeth 'Bessie' Coleman, a fiercely independent woman became the first female of African-American descent and the first woman to hold an international aviation license, a feat that is quite amazing at the dawn of the Art Deco era. On the occasion of Black History Month, her remarkable short-lived pioneering role as a pilot deserves to be given her due recognition among the amazing women of the century. Against all odds “Bessie” was determined to succeed as a pilot and despite her youthful zeal she was confronted and rejected by typical prejudices of the day. In the beginning no flight school or flight instructors, including black male pilots, would accept Bessie as a student because because she was African-American and female. Putting adversity aside Bessie pursued her dream. She accomplished the impossible and broke barriers both as a woman and an African-American. Bessie was bravely independent and a woman, who decided, against all odds, that learning to fly provided an exciting challenge. WORLD WAR I PILOTS’ STORIES Elizabeth “Bessie” Coleman (1892-1926) knew that there wasn’t much of a future for herself in Waxahatchie, Texas, where she grew up the tenth of thirteen children to sharecroppers George and Susan Coleman. So at the age of twenty-three seeking better opportunity she moved to Chicago, Illinois where she lived with two of her older brothers. She found steady work at the White Sox Barber Shop as a manicurist, which was quite fortuitous because in this male dominated circle she would hear about aviation and flying from the young pilots returning home from World War I. She became enthralled with their stories and therein was planted a seed that would grow her determination to become a pilot. One of Bessie’s brothers had also served as a pilot, and he would tease her about the fact that French women had careers and could even fly planes. The idea that French women were pilots was just the kind of catalyst that was part inspiration and determination to o put her on another path toward a career in aviation. LEARNING TO BE A PILOT The problem quickly became apparent that she could not gain admission to American flight schools because she was black and a woman. Bessie must have launched a convincing campaign to reach her career goal. Encouragement came by way of Robert S. Abbott, founder and publisher of the Chicago Defender, which as part sponsor he would capitalize on her flamboyant personality and her beauty to promote the newspaper. Financial backing came forth from other sponsors too including Jesse Binga (a banker). Bessie first took French language classes at Berlitz in Chicago, and fully confidant in her language skills she traveled to Paris on November 20, 1920. THE FRENCH CONNECTION Upon arrival in the City of Light Bessie quickly enrolled in the prestigious Ecole d’Aviation des Freres Coudon at Le Crotoy. She learned to fly in a Nieuport Type 82 biplane, with a steering system that consisted of a vertical stick the thickness of a baseball bat in front of the pilot and a rudder bar under the pilot’s feet. On June 15, 1921 with skills acquired at the Ecole d’Aviation Bessie became not only the first African-American woman to earn an international aviation license from the Federation Aeronautique Internationale, but the first African American woman in the world to earn an aviation pilot’s license. Determined to polish her skills, Bessie spent the next two months taking lessons from a French ace pilot near Paris, and in September she sailed for New York. POLISHING HER SKILLS When Bessie returned to the United States, she discovered that she was unable to make a living as a civilian aviator, the age of commercial flight was still a decade or more in the future, but there was a demand to see her fly and in order to become a “barnstorming” stunt flyer, and perform for paying audiences, she would need more advanced lessons, so back she went to France to take advanced courses in aviation, visited the Netherlands to meet with Anthony Fokker, one of the world’ most distinguished aircraft designers, then headed to Germany, where she received additional training from one of the Fokker Corporation’s chief pilots. Bessie was ready and the world was waiting. QUEEN BESS When Bessie returned to the United States she became a media sensation and was admired by both blacks and whites. It was a monumental recognition for an African-American woman who had emerged from a small town to the heights of celebrity. She made her first appearance in an American air show on September 3, 1922, at an event honoring veterans of the all-black 369th Infantry Regiment of World War I. The show billed “Queen Bess,” as she was known, as “the world’s greatest woman flier.” Later she returned to Chicago to a large and enthusiastic crowd at the Checkerboard Airdrome (now Chicago Midway Airport) with a dramatic, daredevil performance including figure eights, loops and near-ground dips. However, she would not perform at events unless the audience was desegregated. With the admiration of cheering crowds people flocked to see her fly and to hear her speak in cities across the country. BESSIE’S FLIGHT SCHOOL Bessie never lost sight of her childhood vow to one day “amount to something,” and indeed she did just that as a pioneering pilot. Her wings took flight in yet another direction to open a flight school what would admit women and African Americans. She worked tirelessly to raise money and sponsors to reach that goal but tragedy struck on April 30, 1926, when Bessie, at the age of thirty-four, was in Jacksonville, Florida. Bessie had completed payments on her own plane, a Curtiss JN-4 in Dallas, Texas and had it flown to Jacksonville in preparation for an air show. Bessie and her mechanic, William Wills was flying the plane in a test run, but Bessie had not put on her seatbelt, and in a mere ten minutes into the flight the plane did not pull out of a dive, malfunctioned and crashed. Bessie was thrown from the plane and died instantly when she hit the ground. Wills died on impact when the plane plummeted to the ground and burst into flame. Thousands attended her funerals in both Jacksonville and Orlando Florida. On her last journey in Chicago an estimated 10,000 people paid homage to Bessie. HONORS AND RECOGNITION All honors were her due. Recognition flooded in citing Elizabeth “Bessie” Coleman for her bravery, her accomplishment as the first African-American woman and the first woman to become an aviation pioneer. A second-floor conference room is named after her at Federal Aviation Administration, Washington, D.C. Chicago’s Mayor Richard M. Daley in 1990 stepped up to the plate and renamed Old Mannheim Road at O’Hare International Airport “Bessie Coleman Drive,” and in 1992, he proclaimed May 2, “Bessie Coleman Day in Chicago.” She was honored with her image on a U.S. postage stamp in 1995 and was inducted into the Women in Aviation Hall of Fame the same year. Yet another honor followed in 2000 when she was inducted in The Texas Aviation Hall of Fame. Look for her name on buildings in Harlem.
ALTHOUGH ELIZABETH BESSIE COLEMAN DID NOT LIVE LONG ENOUGH TO FULFILL HER GREATEST DREAM, TO ESTABLISH A FLIGHT SCHOOL, HER MANY FANS, FRIENDS AND SUPPORTERS ASSURED ITS CREATION. THE BESSIE COLEMAN AERO CLUB WAS ESTABLISHED IN LOS ANGELES IN 1929 SPEARHEADED BY LIEUTENANT WILLIAM J. POWELL, WHO HAD SERVED IN A SEGREGATED UNIT DURING WORLD WAR I. HE TIRELESSLY PROMOTED THE CAUSE OF BLACK AVIATION AND SUBSEQUENTLY BESSIE COLEMAN AERO CLUBS SPRANG UP THROUGHOUT THE COUNTRY.

AYER, HARRIET HUBBARD, COSMETIC PIONEER ( c) By Polly Guerin

The story of Harriet Hubbard Ayer (1849-1903) reads like a modern day melodrama the likes of which read more like fiction than the transgressions of real life. Yet, this indomitable woman, determined to succeed took matters into her own hands and rose above the stigma of divorce, kidnapping, madness, seduction, betrayal and the loss of her cosmetic business to reinvent herself again as a world famous journalist who penned a column of beauty and cosmetic advice to a devoted audience of women and men. At a time when most women did not work Ayer established Recamier Preparations, Inc., the first cosmetic company owned and operated by a woman but a male dominated society would curtail her entrepreneurship. Vindictive and jealous men in her life punished her for her ambition, accomplishments and seized her children. These egregious setbacks did not squelch her spirit. She was a pioneer and set the stage for other women to succeed and made beauty in a bottle respectable. AN AMERICAN BEAUTY Harriet Hubbard was a natural beauty whose intellectual development evolved far beyond what anyone expected. Born into a family of wealth and privilege she matured into a beautiful, accomplished Chicago socialite and was painted by famous artists of the time including William Merritt Chase. No one, however, would have suspected that under the gaze of her beauty lurked a girl full of perseverance, resilience and determination. BECOMING MRS. AYER It is no wonder that she attracted the attention of Herbert Copeland Ayer, the son of a wealthy iron dealer. The Civil War was over and Herbert’s father prospered and with his social credentials confirmed the Hubbard-Ayer liaison was a surety. At the age of sixteen, on October 2, 1866, she married Herbert Copeland Ayer, a man fourteen years her senior. It did not prove a happy liaison and with her husband’s excessive drinking and other problems a shadow loomed over the marriage, which was acerbated by the Great Chicago Fire in 1871 in which the Ayer’s home as well as the properties of so many other citizen’s was destroyed. Harriet also suffered from the death of her daughter Gertrude, who had a delicate nature and succumbed to the affects of smoke inhalation from the fire. PARIS SOJOURN More tragedy struck in 1833. Heartbroken and exhausted, after the collapse of the Ayer iron business Harriet was forced to fend for herself and her two remaining daughters. After separating from her husband and compounded by her mother’s dwindling inheritance, Harriet was almost destitute. With resolve to maintain the lifestyle to which they had been accustomed Harriet moved with her daughters to New York City, where she found work as a decorator and a salesperson for Syphers, the antique furniture store. On one of her frequent business trips to Europe, she discovered a chemist in Paris who created creams and perfumes. THE MADAME RECAMIER FORMULA There are several versions of how Harriet acquired the skin care products. It is suffice to say that on one of her trips to Paris, the epicenter of fashion and beauty, she had the fortuitous occasion to visit a certain M. Mirault who made the Parma Violet Perfume Harriet used. M. Mirault also had a formula for a face cream that reputedly had been made by his grandfather for the famous French beauty from the days of Napoleon, Julie de Recamier (1777-1849), which he sold to Harriet for a great price. Realizing an opportunity in 1866, she launched Recamier Toilet Preparations, Inc. A SUCCESSFUL BUSINESS WOMAN A born innovator Harriet skillfully marketed the Recamier products using her own name Harriet Hubbard Ayer and the Hubbard family crest on the label. Through extensive advertising and paid endorsements by famous entertainers her commercial success proliferated. Such tactics proved successful because countless women who aspired to a higher social status were encouraged to purchase her products, which included brushes, soaps, balms and scents, as well as the coveted cream. VICIOUS MALE INTERVENTION A lot of jealousy surrounded Harriet’s success and most of it perpetrated by men. Severe problems arose when Harriet was publicly accused of scandalous behavior in 1889. It’s true that she suffered a form of mental symptoms of exhaustion and melancholia but she was still in control of her business until men intervened. Setting a trap Harriet was drugged and isolated and eventually institutionalized in 1893 by her former husband, who had been egged on by James M. Seymour, the scoundrel who plotted to take over her business. Such incarceration seems to be typical of the way men at that time could do away with unwanted wives or in Harriet’s case a woman of property and business. It took more than a year for Harriet to escape through the help of her lawyers and friends from the Bronxville Insane Asylum. However, she was unable to regain control of the business and retired from its operation. After her departure the company Harriet founded did not last, going into receivershiip in 1896. Other incarnations of the Recamier Manufacturing Company and all rights to the name "Harriet Hubbard Ayer" were obtained by other entrepreneurs seeking to ride on the reputation of her name and beauty products. In 1907, after Harriet's death, her daughter, Margaret Hubbard Ayer sold the rights to her mother's name to Vincent Benjamin. How successful these companies were is lost in the powder dust of the cosmetic industry. RINVENTING HARRIET HUBBARD AYER The Recamier business was run into the ground by Seymour but Harriet regained her health and reinvented herself. Obviously you cannot keep a strong willed independent woman down for long. In 1896 she was hired to write a column on beauty advice for the New York World and he role played an important part in advancing the careers of women in the new mass journalism. Eventually, the material from these columns became the basis of a book published in 1902, “Harriet Hubbard Ayer’s book: A Complete and Authentic Treatise on the Laws of Health and Beauty. OH YOU BEAUTIFUL DOLL The Ideal Toy Company launched a Harriet Hubbard Ayer doll in connection with the leading cosmetic company and each model included a beauty instruction booklet. With a lovely wig on her vinyl head, the doll came with curlers and cosmetics. Not only could her hair be styled, but Ayer cosmetics could be applied to her dainty face.was offered complete with makeup for little girls to hone their skills.
Harriet Hubbard Ayer was ahead of her time, a pioneer who spearheaded the beauty industry and paved the way for later women entrepreneurs. When Ayer died in 1903, at the age of 54, she was the highest paid journalist in the United States.
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BARNES, DJUNA CELEBRATED MODERNIST WRITER (c) By Polly Guerin

Djuna Barnes’s extraordinary career as a journalist and illustrator deserves revisiting primarily because she made an important contribution in the development of 20th century English language modernist writing. She was born in a log cabin in 1892 and lived through the Deco years and became one of the key figures in 1920s and ‘30’s bohemian Paris and fulfilled a similar role in Greenwich Village. Though her upbringing in an unconventional household was fraught with incest, rape and hardship, Barnes developed an outsider’s perspective on ‘normal’ life that served her well as a writer. As a woman determined to succeed much of Barnes’s journalism was subjective and experiential. An early twentieth-century advocate for women’s rights Barnes also wrote interviews, features, theatre reviews, and a variety of news stories, often illustrating them with her own drawings. Left: This satirical drawing of a dandyish Greenwhich Village resident accompanied Barnes's 1916 article "How the Villagers Amuse Themselves." Newspaper Fiction: The New York Journalism of Djuna Barnes, 1913-1919, an exhibition of 45 objects including drawings, works on paper, documentary photographs, and stories in newsprint by the celebrated writer Djuna Barnes will be presented in the Herstory Gallery of the Elizabeth A. Sackler Center for Feminist Art from January 20 through October 28, 2012 at Brooklyn Museum, 200 Eastern Parkway, Brooklyn, New York. http://www.brooklynmuseum.org/. GREENWICH VILLAGE Barnes’s liberal sexuality fit in perfectly with the bohemian lifestyle of Greenwich Village and, later, the lesbian expatriate community in Paris. From her first articles in 1913 until her departure for Europe in 1921, she specialized in a type of journalism that was less about current events and more about her observations of the diverse personalities and happenings that gave readers an intimate portrait of her favorite character-New York City. Attempting to capture its transition from turn of the century city to modern metropolis, Barnes developed her unique style of “newspaper fictions,” offering impressionistic observations and dramatizing whatever she felt to be the true significance of subtexts of a story. Prior to publishing the modernist novels and plays for which she is now remembered, such as Ryder (1928), Nightwood (1936) and The Antiphon (1958), which present complex portrayals of lesbian life and familial dysfunction, Barnes supported herself as a journalist and illustrator for a variety of daily newspapers and monthly magazines including the Brooklyn Daily Eagle, McCalls, Vanity Fair, Charm and the New Yorker. THE BOHEMIAN LIFESTYLE In 1915 Barnes moved to a flat in Greenwich Village, where she became part of a thriving Bohemian community of artists and writers counting among her social circle Dadaist artists and poets. One supporter was Guido Bruno, an entrepreneur and promoter of published magazines and chapbooks out of his garret on Washington Square. He was willing to risk prosecution by publishing Barnes’s 1915 collection, The Book of Repulsive Women, with its explicit poetic descriptions of sex between women, at a time when lesbianism was virtually invisible in American culture. Barnes was unusual among Villagers in having been raised with a philosophy of free love, espoused both by her grandmother and her father. She retained sexual freedom as a value and had a number of affairs with both men and women during her Greenwich Village days. PARIS SOJOURN (1921-1930) Barnes first traveled to Paris on assignment for McCall’s Magazine, where she soon became a well-known figure on the local scene; her black cloak and her acerbic wit are remembered in memoirs of the time. She was part of the inner circle of the influential salon hostess, Natalie Barney, who would become a lifelong friend and patron, as well as the central figure in Barnes’s satiric chronicle of Paris lesbian life, Ladies Almanack, which was published under the pseudonym “A Lady of Fashion.” However, the most important relationship of Barnes’s Paris years was with the artist Thelma Wood, a Kansas native who had come to Paris to become a sculptor. Driven by Barnes’s influence Wood took up silverpoint instead, producing animals and plants that one critic compared to Rousseau. By 1922 they moved in together in a flat on the Boulevard Saint-Germain. In 1928 Barnes dedicated Ryder and Ladies Almanack to Thelma Wood the year that both books were published and the year that she and Wood separated. NEW YORK CITY AGAIN Barnes published little journalism in the 30s and was largely dependent on the largesse of the art patron, Peggy Guggenheim. Barnes was constantly ill and drank more heavily. After an attempted suicide Guggenheim funded hospital visits and doctors, but finally lost patience and sent Barnes be back to New York. During her Patchin Place years, Barnes became a notorious recluse. E.E. Cummings, who lived across the street, checked on her periodically, others put roses in her mailbox. It is at this time that Barnes stopped drinking in order to begin work on her verse play The Antiphon, that drew heavily on her own family history, the writing was fueled with anger. Although Barnes had other female lovers, in later years she was known to claim, “I am not a lesbian; I just loved Thelma.” BARNES WAS ELECTED TO THE NATIONAL INSTITUTE OF ARTS AND LETTERS IN 1961. SHE WAS THE LAST SURVIVING MEMBER OF THE FIRST GENERATION OF ENGLISH-LANGUAGE MODERNISTS WHEN SHE DIED IN NEW YORK IN 1982.